I suppose it’s no surprise that, given the sheer volume of adaptations, some network at some time would attempt a Dracula series. It finally happened as a joint venture between Sky Living in the UK and NBC in the US. Dracula (2013) aired ten episodes before shriveling in the sunlight. Needless to say I approached with low expectations, choosing to watch the pilot before committing to the entire run. As it turns out, I made it through the short first–and only–season and wouldn’t have minded more. Nothing classic, but not a bad attempt at expanding the story and exploring a new direction for this well-worn movie monster.In the 15th century, Vlad Tepes aka Dracula (Jonathan Rhys Meyers) is condemned by the Order of the Dragon for embracing technology and committing heresy against God. The order kills his wife Ilona (Jessica De Gouw) and curses Tepes by turning him into a vampire. (I’m not sure turning your enemy into an immortal monster is the best punishment, but different strokes.) Centuries later the scientist Abraham Van Helsing (Thomas Kretschmann— hey remember him as Dracula in Argento’s Dracula 3D? No? Never mind) discovers Dracula’s sealed tomb and frees the vengeful Count. Apparently the Order has been busy in the intervening centuries and now controls much of Europe. Van Helsing wants revenge for his dead family and sics the freed vampire on their sorry asses. The pair travel to London and construct a long con to bring down the Order of the Dragon, which controls the oil industry that’s driving Britain’s economy. Aided by his executive assistant R.M. Renfield (Nonso Anozie), Dracula constructs a new persona for himself: American inventor Alexander Grayson, whose revolutionary geomagnetic energy powers wireless light bulbs and threatens to destroy the oil industry–and the Order of the Dragon along with it. The secret society sends their own ace huntswoman, Lady Jane Wetherby (Victoria Smurfit) to seek out and destroy the new vampire in town. And Dracula’s own plans begin to unravel when he meets Mina Murray (DeGouw again), who–all together now–is revealed as the reincarnation of his lost love, Ilona. Will Dracula shame Nikola Tesla and bring cheap energy to the world? Will Lady Jane discover the man she’s shagging is also the vampire she’s been hunting? (What, Jane, no mirrors in the house?) Will the Count and Van Helsing bring down the Order before killing each other?
Well, we’ll never know. That’s the problem with investing time in a TV show that never truly made it out of the gate. In fact, how many TV series in all have delivered a complete and satisfying narrative? The gradual reveal of backstory works well throughout the series, except it means we never discover how (or why) Dracula made a genius-level technological discovery. We see only glimpses of what Dracula’s been up to for centuries, or how Van Helsing ran afoul of the order himself. And we don’t discover the fate of Mina’s friend Lucy (Katie McGrath) following her fatal encounter with Dracula, or that of Jonathan Harker (Oliver Jackson-Cohen) after losing Mina to the same nemesis.Dracula as tech CEO? A lot of the ideas at play seem preposterous. I spent the first few episodes trying to decide if show-runner Cole Haddon had strayed so far from the source material as to make it unrecognizable. Whenever the story veered off the path, however, someone would receive a bite to the neck or a cross to the forehead and remind us we’re dealing with Stoker’s characters. Yes, much of it remains silly; Lady Jane ranks just below Lois Lane on the oblivion scale and should probably reconsider the whole vampire hunting gig; Dracula doesn’t seem like the most likely high-stakes businessman. But the production values are high and the acting is overall quite decent. I especially enjoyed the rapport between Grayson/Dracula and Renfield, hanging out by the fireplace with brandy snifters as they sort through recent complications. The characters fulfill quite different roles than in the novel, but show signs of approaching their archetypes as the series progresses. It’s hard to condemn a show for offering a new spin on a story that’s been rehashed dozens and dozens of times over the past century. Shame about that whole cancellation thing, though.
NBC’s Dracula earns a respectable 1.25 out of 2 fangs out. Bram Stoker may be turning over in his grave, but he needn’t rise to avenge his name.
Next time: The British are coming! Again!